Lots of familiar (and some unfamiliar) JH lines in this one have us already salivating for next ski season, even as long days, camping, river time and summer mountain biking loom…
Jason Stiegelmeyer & Wild Bill | Skiing the Grand & 12/13 Season Edit
A ten minute look at the season in Jackson Hole with Jason Stiegelmeyer and the one and only, Wild Bill. This edit plays in reverse chronological order, starting up with a descent of the Grand Teton in April of this year and then working backwards through great stuff from Teton Pass, JHMR and some June Denali powder skiing. Looks like April 2013-May 2012 was good for these guys…
Spring Gets Sprung | Earlyups in Jackson Hole
Jackson Hole | Nick Fiorini 12/13
Edit of the Day | Fischer in the Hole
The Jackson Hole portion of the Fischer Freeski team reports back on their 2012/13 winter in Jackson Hole. Tim Swartz, Tyler Horne and Jeff Annetts most certainly found themselves plenty of pillows, pow turns and fun airs this winter. There are a lot of stomps followed by blinding faceshots in this one. We dig!
Aaron Schreiber | 2012/13 in Jackson Hole
The Jackson Hole edits keep coming today, and Aaron Schreiber’s 2012/13 is loaded with more classic lines than you can shake a stick at. Tune in for 5 minutes of deep snow and the “funnest” of fun lines around JH. Aaron titled this one, “It’s been real, but all good things must come to an end.” Name that movie quote:
POV of the Day | Tristan Droppert 12/13 in Jackson Hole
Max Hammer | POV of some Jackson Hole classics
Andrew Whiteford | Dub Tales Ep. 2
POV of the Day | Brian Johnson Skiing in Grand Teton National Park
POV of the Day | Tim Swartz around Jackson
3 of a Kind | with Wild Bill & Jason Stiegelmeyer
Jackson Hole | How Bizarre
Earlyups Classics #6 | Corbets Couloir Comedy
Earlyups Classics #2 | Andrew Whiteford’s Mid Wintahhhh 2011
The king of POV had to get his crown somewhere, and this was probably the edit that did it. With well over 100k views and Jackson Hole sidecountry salvage set to “Black and Yellow”, this was one of the early Andrew Whiteford edits that set him apart. It’s now a couple of years later and everyone is doing POV, but Andrew is still doing it best.